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MISSION
The National Vietnam Veterans Art Museum inspires greater understanding of the real impact of war with a focus on Vietnam. The museum collects, preserves and exhibits art inspired by combat and created by veterans.
HISTORY

In 1981, a few Vietnam combat veterans put together an artistic and historical collection that would become a timeless, humanistic statement of war on behalf of all veterans for future generations.
While the stigma against Post-Traumatic Stress Disorder
continues, veterans around the country have found a way to let the healing
process beginmaking art. Although many may never fully recover,
creating art has provided a chance for them to express the joy, pain,
fear and devastation of their experiences in Vietnam, becoming an outlet
for their inner voices. The artistic process, alone, has been an essential
ingredient for the recipe of good mental health and spiritual nourishment;
something they never had before. Their artwork is proudly presented
at the NVVAM.
The rare collection assembled by a group of veterans
blossomed in the post-war era and has now grown into the National Vietnam
Veterans Art Museum (NVVAM), the world’s only museum with a permanent
collection focusing on the subject of war from an artistic perspective.
Visitors express that this perspective is a universal message to all
generations, and cultures.
The Vietnam Veterans Art Group was created in Chicago
in 1980, and the group mounted its first exhibit of veteran artwork, “Reflexes and Reflections”,
a year later, which toured museums and galleries in New York, Chicago,
Milwaukee, Austin and Columbia, SC.
The overwhelming emotional response to the work, along with an increasing amount of contributions by artists, led to the official establishment of the NVVAM. After viewing the collection, Mayor Richard Daley was so personally moved that he allocated a permanent building in 1995 to house the NVVAM. The NVVAM opened the doors to its permanent home on South Indiana in August 1996.
In November 1998, Harry N. Abrams, Inc (New York) published
a fine arts book about the Museum’s unique collection and its artistic significance. “Vietnam: Reflexes and Reflections” received extensive critical acclaim and accompanying media coverage, including “CBS Sunday Morning,” “The Jim Lehrer News Hour,” National Public Radio’s “All
Things Considered,” The Washington Post, Playboy, Forbes and the Chicago Tribune.
Today, NVVAM is still located in Chicago’s South Loop and houses over 1500 works of art, including paintings, photography, sculpture, poetry and music. All the works in the Museum’s
permanent collection were created and comprised by more than 100 artists
who chronicled their individual experiences from the Vietnam War.
The artwork presented at the Museum provides a unique viewpoint on the controversial subject of war to all visitors. It is a tenuous and reflective balance of beauty and horror, giving unique insight into the psyche of combat veterans and consequential hindsight war leaves on its survivors.
The collection is born from the sheer sentiment of those
who personally experienced the immediate suffering and realities of
war. It’s clear the artists have experienced the creative and
spontaneous insight, and intuition, that comes from witnessing the magnitude
of human combat and death first-hand.
Art Therapy
Art therapy is an established mental health profession using the
creative process of art to improve and enhance the physical, mental
and emotional well-being of individuals of all ages. It’s based
on the belief that creative process involved in artistic self-expression
helps people resolve conflicts and problems, develop interpersonal
skills, manage behavior, reduce stress, increase self-esteem and self-awareness,
and achieve insight.
This is particularly true with veterans, especially those who served in Vietnam and those suffering from Post-Traumatic Stress Disorder as a result of war. For these veterans, art is the only way for them to express the atrocities they experienced in the face of war. It is the first step of many towards healing. Like those before them, Iraq war veterans are now finding resolution and therapy by putting into art what they are unable to put into words.
University of Illinois arts student, Aaron Hughes, served in Iraq for 18 months and was overwhelmed by watching friends die in front of him and seeing women and children beg for food along roads. For many veterans like Aaron art has become the only way to let others know the extent of which war reaches past an enemy but also how it affects an entire society.
In recent months, NVVAM has been included in various art therapy-focused stories including The Washington Post, Gatehouse News Service and WMAQ-TV, NBC5 Chicago.
The topic of war is a sensitive one that few galleries and museums are willing to display on a regular basis. The NVVAM has provided a home to veteran artists allowing their unique voices be heard through a variety of artistic expressions.
However, the Museum is not only home to veteran artists
but also to others who have been involved with war and war relief, those
who lost a parent to war and those artists who want to share their visions
of war. For instance, award-winning photographer Nina Berman created
an exhibit called “Purple Hearts” to tell the individual
stories of several disable Iraq veterans.
Stretching Beyond Vietnam
Since 2003 the NVVAM has broadened its mission to include art by all war veterans. Recent exhibits include:
“Trauma & Metamorphosis I & II” shows the
transfiguration of these soldiers’ memories of the atrocities they’ve
experienced, turning it into art. For the first time, these veterans
and artists gain some measure of control over their Vietnam traumas,
allowing the process of healing to begin. All of “Trauma & Metamorphosis’” artists endure symptoms of PTSD in varying degrees and have chosen to share their journey of healing through this very special exhibit.
“First to Fight: US Marines in Vietnam, the Early Years” includes
more than 90 works of art created by Marines and Navy Hospital Corpsman.
These works encompass the early era of the Vietnam War from the landing
of the first Marine combat troops in early 1965 to the Tet Offensive
of January 1968. The artwork that makes up “First to Fight” offers
an insight into the unique role of the Marine Corps early on in the
war. As a small, but hard hitting and self-contained strike force, Marines
were the first American combat troops to land in Vietnam and were assigned
to protect the combat airbase at Danang and the border of North Vietnam.
“Things They Carried” an interactive and educational exhibit for children to learn what kinds of things soldiers carry with them during war, try on an 80-pound back pack, try on boots and uniforms. The exhibit was inspired by the book, which was selected by Mayor Daley as required reading for the Chicago Public Schools.
“Children of War" large and unique collection of artwork
by Vietnam Veterans that depicts the children of the Vietnam War, and
offers a "civilian" component exploring the War’s impact
on the children of veterans. There are two views of war and children.
The exhibit includes photos taken by veterans of Vietnamese children
and a variety of art by children of veterans, who search to know their
fathers, and understand the War, through art. This poignant exhibit
features works by three children of Vietnam Veterans as well as a number
of pieces by Vietnam Veterans about children, showing that war affects
everyone, young and old, American and Vietnamese children alike.
Operation Babylift On the 30th Anniversary of Operation Babylift chronicled the story of thousands of Vietnamese children rescued and brought to loving homes in America. Lana Noone has dedicated her life to maintaining the memory and importance of Operation Babylift. She adopted two girls; one died just one month after coming to the U.S. due to critical illness. That day Noone pledged to her dying daughter that she would do whatever she could to help the world remember Operation Babylift. Today she operates a website dedicated to Babylift (www.vietnambabylift.org). Noone, an author, has spoken on the topic to a variety of national, international and local media, including Newsday, The New York Times, “People”, USA Today, “Good Morning America”, “The Oprah Winfrey Show” and “48 Hours”,
and has presented programs to numerous organizations across the country.
“Shifting Memories” It was a photo that would become
one of two large oil paintings (Number 52), that sets the stage for
24-year old Iraq war veteran Aaron Hughes’ “Shifting
Memories” exhibit. The photo is of Hughes and a sergeant in front of a burnt Humvee, only its charred metal frame remaining. Three soldiers died when the car was hit in an ambush. Hughes served 18 months in Iraq and attends The University of Illinois, where he was initially an Industrial Design major. Now a senior, Hughes turned his studies to the College of Fine and Applied Arts. In “Shifting
Memories”, Hughes shares a series of projects that bring to the forefront the very complex personal realities of the War in Iraq
2010
BOARD OF DIRECTORS
Mike Brostowitz
Mike Helbing
Art Jacobs
Jerry Kykicz
Jim Moore
Kathleen Nesbitt
Larissa Phillips
Lisa Rosenthal
Carol Sherman
Mike Wilkins
2010
STAFF
Mike Brostowitz , Facility supervision, iwarpaint@nvvam.org
Jerry Kykisz, Curator of Traveling Exhibits, Chair of
the Art Committee, jkphotog@nvvam.org
Jennifer Komorowski, Volunteer Grant Consultant, Member
Art Committee, jkomo10@nvvam.org
Jim Moore, Treasurer, Member of the Art Committee, jim@nvvam.org
Michael Helbing, Chairman of the Board of Directors,
Member Art Committee, mikehelbing@nvvam.org
Ted Stanuga, General Manager, ted.stanuga@nvvam.org
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Dressed to Kill, 1965, teak and brass 50-caliber shell casings, Joseph Clarence Fornelli
Top of page: Class of '67 (detail), 1984, oil on canvas, Charlie Shobe
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